DESIGN COMPETITION for MONUMENT TO THE VICTIMS OF THE

ARMENIAN GENOCIDE OF 1915

Design Concept

The Armenian Genocide Monument consists of 4 distinct sections: “the history”, “the sanctuary”, “the map” and "the rise". 

The purposes of this memorial include:

  • to create a venue for reconciliation and promotion of human rights, and freedom.

  • to realize the catalyzing power of historical events in facilitating relationships bridging different cultural and ethnic groups in the City of Glendale.

  • and particularly to hold up the heroes of the Armenian Genocide as inspirational role-models.

 

 

The History

The “history” is situated at the south end of the monument site, elevated a few steps from the pedestrian walkways. A barrier-free ramp is at the entrance for easy access to the monument site. The inscription on the east wall at the gate reads “This wall is dedicated to the Americans whose conscientious actions in the face of the Armenian Genocide helped rescue thousands of helpless men, women and children.”

The history is a formal memorial space and a sculpture court incorporating many symbolic elements.

The west wall of the history describes the Armenian Genocide in text:

  • Enven reported 200,000 Armenians slain in 1915; Lord Bryce reported 500,000

  • The New York Times reported the murder of 350,000 Armenians in 1916

  • Whilhelm Radowifz reported 1,500,000 Armenians deported, 1,175,000 killed, and 325,000 surviving, 1916.

…….

The east wall (2) is covered by sculptures related to the genocide.  At the eye level, we see an elongated picture of a long line of people under forced march through the desert during the deportation. At the bottom of the wall, we see an abstract relief of sculls symbolizing the suffering of the Armenian people during the massacre. The top of the wall reads: “In Memory of 1,500,000 Armenians killed in the genocide 1915-1923”

In front of the east wall is a sand pit representing the desert and the feeling of desperation. In its center, there is a torch for condolence.  To the right, on the ground, is the inscription, “Doctor Schachf, a German army physician stationed near the village of Deir El-Zar, reported 7,000 severed Armenian heads found in 1915….”

The north wall displays the Armenian cross, symbolizing the strength of the Armenian people. 

Red glass panes are inserted between the walls as a symbol of bloodshed during the Genocide.  Pedestrians walking along the streets will see the red shadows and approach the memorial site to find out more.

 

The Sanctuary

This is a more private memorial space at the north end of the site with a u-shaped barrier-free ramp providing easy access to the civic center and the parking lot.  It is a space for reconciliation and remembering the dead.  

The sanctuary is sunken into the ground below the street level, and silence is achieved through the masking sound of the water, which also symbolizes eternity, life and freedom.  Those who stand at the edge of the pool and gaze at the masonry wall behind the waterfall will see the words “Never forget, never again” in English, Armenian, French, German, Spanish, and Italian.

At night, light from the southeast corner of the sanctuary will wash the waterfall in red, blue and –yellow, the colors of the Armenian flag.

The sanctuary is like an altar, if we compare the map to the nave of a church. 

 

The Map

The map links the sanctuary to the history. It serves as testimony of the deportation and massacre, and it is the most immediate way to get at the truth.

The ground is covered with colored concrete in the shape of a deportation map.  Red glass mosaic embedded in the concrete shows the numbers of Armenians killed and deported for each city.  The cities include, from left (south of the monument site) to right (north of the monument site):         

A legend for the map is provided at the southwest corner.

This space also functions as a park-like place if separated from the genocide concept.  Semi-circular benches scattered across the space in a care-free manner, invite people to come in and sit down. The vivid graphic patterns attract pedestrians, and seeing the numbers and names on the ground leads them to the interactive booths where they can learn more. 

At the north end of the map, by the reflecting pool, is a speaker platform. The podium is a sculpture of an Armenian female half buried in the ground, her raised arm holding a heavy book of history, on which is written: “Armenian Genocide 1915~1923”. A path covered by red glass stretches from the foot of the speaker platform to the reflecting pool and sanctuary.  Under the glass is the water of the reflecting pool.

Yozgat

Sivas

1915             2000 killed             48,000 deported

Erzerum

1915            3000 killed

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Kayseri

Kaarpot

Blitlis

Van

1915            79,000 killed

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Hadjin

1920            9,500 killed

Zeitun

1915            25,000 deported 

Marash

1920            10,000 killed

Diyarbekir

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Intili

1916            50,000 killed

Aleppo

1917            20,000 killed

Deir el-zar

1915            7,000 killed

1916            60,000 killed

1917            120,000 killed

Kaba-killise

1918            16000 killed

Baka

1918             30,000 killed

 

The Rise

The rise is the sloping structure on the west side of the map.   On top of the rise there are carved texts saying “Armenian Genocide, 1915~1923” in red.

The rise emerges from the reflecting pool, where the water symbolizes eternity.  The rise represents spirits and hopes shared by people of the pact and still pursued today, our longing for freedom and human rights. At night, this self-illuminated fiberglass structure seems to be a beacon; in the morning it seems to be a path to the future.

At the foot of the rise, we find a red granite platform for flowers and wreaths. In front of an intermittent clear glass wall between the rise and the map, we find five cross-shaped light-stands l, each representing an important year of the genocide (the year is marked in front of each stand). Each holds a touch-sensitive computer screen and functions as an interactive media booth. The year 1915, when the Genocide was implemented officially, has a special round torch. 

A large commemoration may be held in the parking lot with the rise as the background of the speaker’s platform and the whole monument site as a stage set.  Each of nine light posts standing on the west side of the rise represents a year of the Armenian Genocide (i.e. from 1915 to 1923).

The rise can be seen from all angles, even from the air.  It emphasizes the site horizontally.

The rise transforms people’s experience of the site with a universally understood positive message. It also connects all of the elements that surround the site: the Armenian Church, the civic auditorium, the community college, the history, the map, and the sanctuary.  Viewed from
the civic center, the words on the rise draw our attention and lead us to enter the monument site from the sanctuary.  Viewed from the church, the rise leads us to enter the monument site from the history.  Viewed from the community college, the integration of the monument site with
the church, civic auditorium and parking lot provides a public gathering space to commemorate the Armenian genocide on April 24th each year. The monument site has no end, it invites people from all directions and ethnic backgrounds to come together, learn more about the Genocide, and
discover each other. 

Design created by LLM International Inc.

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Halsall

Toronto, Canada March, 2005

 

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THE HISTORY 

 

THE SANCTUARY 

 

THE MAP 

 

THE RISE

 

 

 

Structure

The cantilevered truss will be designed to resist 120mph wind as well as the local seismic requirements. The structure will consist of tubular elements in a 3d triangular  formation. The support will consist of concrete foundation designed  to resist the downward and uplift forces.

 

Site work general

The monument design takes advantage of the existing slope of the finish grade to reduce site reformation work.  Excavation is only required at the sanctuary.  The cost for the Armenian genocide monument site is estimated to meet council's budget.  We use economically advantageous materials such as fiberglass with stainless steel base caps for the rise, low (4' high) concrete walls, and very minimum stainless steel for taller walls.

 

© LLM International Inc. 2005

COMPETITION SPONSORED BY THE ARMENIAN GENOCIDE MONUMENT COUNCIL OF GLENDALE (AGMCG), CITY OF GLENDALE